The critically acclaimed Polish satirical comedy “1670” returns for its uproarious second season, premiering globally on Netflix on September 17, 2025. The show plunges viewers back into the absurd world of a delusional nobleman, Jan, as he continues his vain and hilarious quest to become the most renowned figure in the Polish-Lithuanian Commonwealth. Set against a historically inspired backdrop, the series uses its 17th-century setting to brilliantly lampoon modern-day obsessions with fame, legacy, and social status. Jan’s misguided ambitions inevitably lead to more chaotic family feuds, increasingly ridiculous clashes with the long-suffering peasantry, and a plethora of new schemes that never go according to plan.

Leading the brilliant ensemble cast is the phenomenal Bartłomiej Topa in the central role of the eccentric nobleman. He is joined by returning stars Katarzyna Herman, Martyna Byczkowska, and Dobromir Dymecki, who bring his dysfunctional family and exasperated foes to life with impeccable comedic timing. Season 2 promises to double down on its sharp, witty satire and slapstick humor, offering a fresh batch of historical hijinks that are as clever as they are laugh-out-loud funny.

Meet the Cast of “1670” Season 2

1. Bartłomiej Topa as Jan

Bartłomiej Topa returns to masterfully portray Jan, the vainglorious, scheming, and profoundly delusional nobleman at the heart of the series. Topa, one of Poland’s most respected and versatile actors known for his work in films like The Lure and The Hater, delivers a performance of breathtaking comedic commitment. He fully embodies Jan’s absurd pomposity and fragile ego, perfectly balancing the character’s ridiculousness with just enough pathos to make his endless failures strangely compelling. Topa’s genius lies in playing the role with utter seriousness, allowing the comedy to arise organically from Jan’s misplaced confidence and the sheer absurdity of his situations.

Topa’s Jan is a whirlwind of misguided energy, a man who believes his every foolish idea is a stroke of genius. His physical comedy, from flamboyant gestures to exasperated expressions, is a key driver of the show’s humor. As he stumbles from one self-created disaster to the next, Topa ensures that Jan remains a uniquely charismatic and unforgettable anti-hero, whose quest for fame is as pathetic as it is endlessly entertaining to watch.

2. Katarzyna Herman as Zofia

The formidable Katarzyna Herman reprises her role as Zofia, Jan’s long-suffering and formidably intelligent wife. Herman, a celebrated actress of stage and screen, brings a powerful presence and a razor-sharp wit to the character. Zofia is often the only voice of reason in the chaotic household, yet she is far from a mere straight man; she possesses her own cunning and ambitions, which she must often conceal behind a facade of wifely duty. Her exasperated glances and perfectly delivered dry retorts provide a masterclass in comedic reaction.

Herman’s performance creates a fantastic dynamic with Topa’s Jan. She is the anchor to his balloon, the sober reality check to his absurd fantasies. Their relationship is the core of the family’s comedy, showcasing a battle of wits where Zofia is almost always the victor, even if her husband is too self-absorbed to realize it. She represents the true strength and intelligence that holds the noble estate together, despite her husband’s best efforts to tear it all down.

3. Martyna Byczkowska as Aniela

Martyna Byczkowska returns as Aniela, the nobleman’s daughter who is likely coming of age in the tumultuous environment created by her father. Byczkowska brings a youthful energy and modern sensibility to the historical setting. Aniela may be navigating the limited options available to a young woman of her station, perhaps rebelling against her father’s plans for an advantageous marriage or developing her own clever ways to manipulate the chaos around her for her own benefit.

Byczkowska’s role allows the satire to explore themes of gender roles and generational divides. Aniela could be the most modern character in the show, viewing her father’s antics with a mixture of embarrassment and strategic interest. Her journey adds a crucial layer to the family dynamic, representing the future and its inevitable clash with the old-world absurdity that her father represents.

4. Michał Sikorski as Jakub

Michał Sikorski portrays Jakub, the nobleman’s son and heir. Sikorski’s character is likely caught between the weight of familial expectation and the glaring incompetence of his father. Jakub could be a dim-witted chip off the old block, equally prone to foolish schemes, or he could be a more sensitive soul, horrified by his father’s behavior and desperate to bring some dignity back to the family name, albeit with little success.

Sikorski’s performance will explore the theme of legacy and the anxiety of inheritance. Whether he is a partner in crime or a voice of futile reason, Jakub’s relationship with his father is a rich source of comedy. He represents the next generation of leadership, a prospect that is either terrifying or laughable, ensuring the family’s cycle of absurdity is likely to continue for years to come.

5. Andrzej Klak as Andrzej

Andrzej Klak returns as Andrzej, a character whose name suggests he may be a relative or another noble vying for status within the local hierarchy. Klak, a seasoned comedic actor, is perfectly suited to play a foil to Jan—perhaps a rival nobleman who is just as pretentious and ridiculous, but in a slightly different way. Their interactions would be a clash of massive egos and petty grievances, driving much of the season’s conflict.

Klak’s presence introduces an external source of competition for Jan’s coveted “fame.” Their rivalry allows the satire to skewer the petty squabbles and fragile masculinity of the nobility, showing that for all their posturing about honor and legacy, their conflicts are often as trivial and childish as those of the peasants they look down upon. He is a mirror that reflects Jan’s own absurdity back at him.

6. Dobromir Dymecki as Bogdan

Dobromir Dymecki reprises his role as Bogdan, likely a fellow nobleman, a trusted (or untrustworthy) advisor, or a high-ranking peasant like a village elder. Dymecki is a highly expressive actor capable of broad physical comedy and subtle wit. His character probably serves as a sounding board for Jan’s terrible ideas, either enthusiastically endorsing them out of sycophancy or fear, or reacting with sheer disbelief at the nobleman’s latest insane plan.

Dymecki’s performance provides crucial comic relief and perspective. As Bogdan, he is the character who often has to deliver the bad news or attempt to clean up the messes Jan creates. His interactions with Topa are sure to be highlights, filled with frantic energy and despair as he is repeatedly dragged into the vortex of Jan’s disastrous ambitions.

7. Kiryl Pietruczuk as Maciej

Kiryl Pietruczuk returns as Maciej, another key resident of the estate or local village. Pietruczuk’s character could be a servant in the noble household, a skilled craftsman, or a peasant with a particular axe to grind. His role represents the common folk who are directly impacted by Jan’s whims and must find clever ways to survive his nonsense, often bearing the brunt of his failed schemes.

Pietruczuk’s performance grounds the show’s absurdity in the reality of the period. Through Maciej, the audience sees the real-world consequences of the nobility’s frivolity. He might be the source of a clever plot to outwit the nobleman or a victim of his latest decree, providing a lens of relatable frustration and resilience amidst the upper-class folly.

8. Paulina Matusewicz as Marianna

Paulina Matusewicz brings the character of Marianna to life. An accomplished actress, Matusewicz likely portrays a woman navigating the strict social structure of the time. Marianna could be a noblewoman with her own designs, a love interest for one of the younger characters, or a quick-witted peasant who isn’t afraid to speak her mind to those in power, despite the risks.

Matusewicz’s role adds depth to the show’s social satire. Marianna provides a perspective on how women exercised agency and intelligence within a patriarchal system. Whether she is using her wit to manipulate the men around her or simply trying to protect her own interests, her character demonstrates that everyone in this world, regardless of class or gender, is playing a complex game of survival and advancement.

9. Kazimierz Mazur as Peasant Wojciech

Kazimierz Mazur returns as Peasant Wojciech, embodying the long-suffering everyman of the 17th century. Mazur, a veteran character actor, excels at portraying the exhaustion, cynicism, and dry humor of a man who has endured countless foolish edicts from his social superiors. Wojciech is the voice of the people, often commenting on the absurdity of his circumstances with a weary sigh or a muttered joke under his breath.

Mazur’s performance is crucial for the show’s satirical heart. Peasant Wojciech represents the overwhelming majority of the population whose lives and labor are the foundation of the Commonwealth, yet who are treated as an afterthought by the nobility. His reactions—a mix of resignation, defiance, and pragmatic cunning—provide a grounded and hilariously relatable counterpoint to the lofty and ridiculous concerns of the nobleman Jan.

10. Artur Janusiak as Peasant Lesław

Artur Janusiak rounds out the cast as Peasant Lesław, Wojciech’s companion in misery. Janusiak likely plays a fellow villager, perhaps more hot-headed or more foolish than Wojciech, which often gets them both into trouble. Their duo serves as a classic comedic pair, reacting to the noble family’s drama from the sidelines and dealing with the fallout in their own way.

Janusiak’s performance complements Mazur’s, creating a partnership that highlights the community aspect of peasant life. Together, they navigate the challenges posed by their eccentric lord, using their wits and their humor to cope with their lot. Their scenes provide a vital perspective from the bottom of the social ladder, ensuring the satire is well-rounded and that the comedy comes from every level of this meticulously constructed world.